
English Embroidered Bookbindings
PRINTED BY T. AND A. CONSTABLE, PRINTERS TO HER MAJESTY, AT THE UNIVERSITY PRESS, EDINBURGH: MARCH MDCCCXCIX
In this lively contribution to the “Books about Books” series, the author turns a discerning eye toward England’s long‑standing relationship with the art of binding and illustration. Rather than accept the familiar narrative of English inferiority, the work uncovers a rich tapestry of craftsmanship, from medieval illuminated manuscripts to the early printed volumes that followed Caxton’s arrival. By weaving together detailed descriptions of surviving examples with broader cultural context, the book invites listeners to appreciate the moments when English book‑making set a European standard.
The narrative balances scholarly rigor with an accessible, conversational tone, guiding the audience through periods of brilliance and decline. It highlights the impact of historical upheavals—such as the Wars of the Roses—on the availability of skilled illuminators and wood‑engravers, and it showcases overlooked gems that reveal England’s unique aesthetic contributions. Listeners will come away with a clearer sense of how national pride and practical circumstance shaped the evolution of English book art, and why many of its finest pieces remain hidden treasures waiting to be rediscovered.
Language
en
Duration
~3 hours (176K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by K.D. Thornton, Bruce Albrecht, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Release date
Jan 23, 2006
Rights
Public domain in the USA.
1848–1941
A British librarian, designer, and pioneering historian of bookbinding, Cyril Davenport brought scholarly attention to the craft and decoration of books. His richly illustrated studies remain valuable guides to the history of books, bindings, miniatures, and heraldic design.
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