
TRES RELATOS PORTEÑOS
PRÓLOGO
EL COCOBACILO DE HERRLIN - CAPITULO PRIMERO SIMPLE INTRODUCCIÓN A UNA HISTORIA COMPLICADA
UNA SEMANA DE HOLGORIO
EL CULTO DE LOS HEROES - CAPITULO PRIMERO DE CÓMO DON JUAN MARTÍN IBA ACORTANDO SUS PASEOS
ÍNDICE
In this compact trio the author offers a sharp‑eyed portrait of Buenos Aires at the turn of the century, blending sly humor with a keen sociological eye. Through a narrator who watches human foibles without judgment, the stories feel like a laboratory where ordinary lives are examined under a microscope of wit. The prose moves with a brisk, almost journalistic rhythm, inviting listeners to hear the city’s pulse as both backdrop and character.
The first tale, “El Cocobacilo de Herrlin,” follows a charismatic doctor whose experiments in a new serum become a satire on blind faith in scientific miracles. “Una Semana de Holgorio” spins a light‑hearted account of a leisurely week in a bohemian quarter, where idle conversations reveal hidden anxieties and aspirations of its inhabitants. In “El culto de los héroes,” a community’s reverence for a celebrated figure is examined, exposing how collective myth can both uplift and imprison.
Full title
Tres relatos porteños Segunda edición Segunda edición
Language
es
Duration
~3 hours (215K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)
Release date
Aug 20, 2020
Rights
Public domain in the USA.

1892–1957
A sharp, witty voice in Argentine literature, this journalist and novelist turned a skeptical eye on politics, public life, and the small absurdities of modern society. His best-known work is remembered for its irony, humor, and keen feel for Buenos Aires in the early 20th century.
View all books
by Maria Edgeworth

by Abraham Cahan

by J. P. (Jens Peter) Jacobsen

by Juliana Horatia Ewing

by George Washington Cable

by Edward Eggleston

by Friedrich Gerstäcker

by Hannah More