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THE MENTOR 1916.11.01, No. 118, Russian Music
Several Natural Questions
RUSSIAN MUSIC Michal Ivanovich Glinka
RUSSIAN MUSIC Anton Rubinstein
RUSSIAN MUSIC Modeste Petrovich Moussorgsky
RUSSIAN MUSIC Peter Ilich Tchaikovsky
RUSSIAN MUSIC Nicholas Andreievich Rimsky-Korsakov
RUSSIAN MUSIC Igor Stravinsky
RUSSIAN MUSIC
THE OPEN LETTER
A lively series of questions opens the work, inviting listeners to picture the sheer scale of Russia and the modest number of its celebrated composers. The author, a seasoned music critic, traces the birth of a national sound from Catherine the Great’s early encouragement through the restless decades that finally yielded a distinct Russian voice in the 1830s. By weaving historical facts with cultural commentary, the opening frames a nation awakening to its own musical identity.
The narrative then turns to the formative years of Mikhail Glinka, whose restless temperament and keen ear set the stage for a pioneering career. From a modest village childhood, through rigorous schooling in Petrograd, to formative studies in Italy and Berlin, Glinka’s journey is rendered with vivid anecdotes and a palpable sense of determination. Listeners will be drawn into the moment when his patriotic opera “A Life for the Czar” emerged, marking the true dawn of Russian opera and hinting at the rich legacy that follows.
Language
en
Duration
~1 hours (60K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
May 3, 2016
Rights
Public domain in the USA.

1854–1926
A leading American music critic of his era, he wrote vividly about composers, concerts, travel, and even the science of love. His long career at major New York publications helped shape how many readers heard the musical world of the late nineteenth and early twentieth centuries.
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