The Mentor: Russian Music, Vol. 4, Num. 18, Serial No. 118, November 1, 1916

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The Mentor: Russian Music, Vol. 4, Num. 18, Serial No. 118, November 1, 1916

by Henry T. Finck

EN·~1 hours·10 chapters

Chapters

10 total

THE MENTOR 1916.11.01, No. 118, Russian Music

0:16

Several Natural Questions

2:07

RUSSIAN MUSIC Michal Ivanovich Glinka

5:21

RUSSIAN MUSIC Anton Rubinstein

3:37

RUSSIAN MUSIC Modeste Petrovich Moussorgsky

4:18

RUSSIAN MUSIC Peter Ilich Tchaikovsky

4:32

RUSSIAN MUSIC Nicholas Andreievich Rimsky-Korsakov

4:09

RUSSIAN MUSIC Igor Stravinsky

4:30

RUSSIAN MUSIC

22:55

THE OPEN LETTER

11:10

Description

A lively series of questions opens the work, inviting listeners to picture the sheer scale of Russia and the modest number of its celebrated composers. The author, a seasoned music critic, traces the birth of a national sound from Catherine the Great’s early encouragement through the restless decades that finally yielded a distinct Russian voice in the 1830s. By weaving historical facts with cultural commentary, the opening frames a nation awakening to its own musical identity.

The narrative then turns to the formative years of Mikhail Glinka, whose restless temperament and keen ear set the stage for a pioneering career. From a modest village childhood, through rigorous schooling in Petrograd, to formative studies in Italy and Berlin, Glinka’s journey is rendered with vivid anecdotes and a palpable sense of determination. Listeners will be drawn into the moment when his patriotic opera “A Life for the Czar” emerged, marking the true dawn of Russian opera and hinting at the rich legacy that follows.

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Details

Language

en

Duration

~1 hours (60K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2016-05-03

Rights

Public domain in the USA.

About the author

Henry T. Finck

Henry T. Finck

1854–1926

A lively American music critic and author, he helped shape how U.S. readers heard Wagner, Liszt, Grieg, and other Romantic composers. He also wrote widely on travel, food, and the idea of romantic love, bringing a curious, energetic voice to every subject.

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