
audiobook
by Josef Bersch
THE MANUFACTURE OF EARTH COLOURS
PREFACE
EARTH COLOURS - CHAPTER I INTRODUCTORY
CHAPTER II THE RAW MATERIALS FOR EARTH COLOURS
CHAPTER III THE PREPARATION OF THE COLOUR EARTHS
CHAPTER IV WHITE EARTH COLOURS
CHAPTER V YELLOW EARTH COLOURS
CHAPTER VI RED EARTH COLOURS
CHAPTER VII BROWN EARTH COLOURS
CHAPTER VIII GREEN EARTH COLOURS
This volume offers a clear look at earth pigments—the low‑cost colours that have colored art and industry for centuries. It sorts pigments into three groups: naturally occurring minerals ready for grinding, minerals needing chemical activation, and organic‑derived hues that blend nature with synthetic chemistry. Despite their limited palette, earth colours are prized for durability and opacity.
The core of the book describes how raw earth becomes usable paint, from hand‑grinding to modern mechanised mills and chemical treatments. Detailed diagrams show each stage, from crushing stones to refining iron‑oxide by‑products into bright reds and yellows. It also explains how industrial waste can be turned into stable, vibrant pigments.
Aimed at artists, conservators and curious readers, the text balances scientific explanation with practical advice. The thirty‑one illustrations bring the machinery and mineral textures to life, making complex steps easy to visualise. Whether you mix your own paints or simply enjoy the chemistry of colour, this guide opens a window onto an often‑overlooked facet of visual art.
Language
en
Duration
~5 hours (301K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United Kingdom: Scott, Greenwood & Son, 1921.
Credits
Charlene Taylor and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2023-07-18
Rights
Public domain in the USA.
Subjects
1840–1907
A Viennese chemist and teacher, he wrote practical scientific books that opened up the worlds of pigments, industrial materials, and wine to working readers. His work has the clear, hands-on feel of someone who knew both the laboratory and the classroom.
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