The Loves of Krishna in Indian Painting and Poetry

audiobook

The Loves of Krishna in Indian Painting and Poetry

by W. G. (William George) Archer

EN·~5 hours·13 chapters

Chapters

13 total

Radha and Krishna in the Grove Kangra (Punjab Hills), c. 1785

0:04

THE LOVES OF KRISHNA IN INDIAN PAINTING AND POETRY - By - W. G. ARCHER - To MR. AND MRS. H. N. WITH LOVE AND ADMIRATION

0:07

ACKNOWLEDGMENTS

1:42

I

8:49

II

3:21:56

III. THE BHAGAVATA PURANA: THE COWHERD

0:02

IV. THE BHAGAVATA PURANA: THE PRINCE

0:02

V. THE KRISHNA OF POETRY

0:01

VI

55:43

NOTES

15:11

Description

This listening journey opens with an invitation to see how India’s courtly painters turned the divine love of Krishna and his beloveds into a visual language of longing. The narrator explains the distinctive style of these 18th‑century works—bright, sometimes exaggerated figures paired with the soft grace of floral and stormy backdrops—showing how ordinary objects become symbols of desire. By decoding the lotus, the rain‑cloud, and the peacock feather, the guide reveals a layered sensuality that a casual glance would miss.

The book then moves from story to song, tracing Krishna’s episodes in the Mahabharata and the Bhagavata Purana before turning to the lyrical splendor of the Gita Govinda and later devotional verses. Interwoven with these narratives are vivid descriptions of paintings from Rajasthan, the Punjab hills, and other courts, each illustrated with careful commentary that links brushstroke to verse. Listeners gain a sense of how love, politics, and spirituality intertwine in a tradition where a single image can speak both to the heart and to ancient myth.

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Details

Language

en

Duration

~5 hours (321K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Juliet Sutherland, Andrea Ball and PG Distributed Proofreaders

Release date

Apr 1, 2004

Rights

Public domain in the USA.

About the author

WG

W. G. (William George) Archer

1907–1979

A British civil servant turned art historian, he became one of the best-known interpreters of Indian painting and tribal culture for English-language readers. His books draw on years spent in Bihar and on a later museum career devoted to South Asian art.

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