
audiobook
HOW TO DECIPHER AND STUDY OLD DOCUMENTS
PREFACE TO THE SECOND EDITION.
AUTHOR’S PREFACE TO THE FIRST EDITION.
LIST OF ILLUSTRATIONS.
INTRODUCTION.
CHAPTER I. HINTS TO BEGINNERS.
CHAPTER II. HANDWRITING.
CHAPTER III. ANGLO-SAXON, NORMAN-FRENCH, LATIN, AND OLD ENGLISH.
CHAPTER IV. OLD DEEDS.
CHAPTER V. LAW TECHNICALITIES.
A practical companion for anyone confronting ancient deeds, letters, and court rolls, this guide walks beginners through the first obstacles of deciphering faded script and unfamiliar symbols. Drawing on the author’s early frustrations, it explains how to recognize handwriting styles, assess ink and paper, and spot the subtle clues that differentiate genuine records from clever forgeries. The opening chapters are packed with clear illustrations of seals, marginal notes, and the quirks of Saxon, Norman‑French, and Latin legal language.
Beyond the basics, the book expands into the wider world of medieval documentation, offering concise overviews of manorial rolls, monastic charters, parish registers, and the abbreviations that pepper them. Real‑world examples—such as a notorious trial involving altered registers—show why careful observation matters for genealogists, historians, and collectors alike. Readers come away with a solid toolkit for turning obscure parchment into reliable evidence of the past.
Full title
The Key to the Family Deed Chest: How to Decipher and Study Old Documents Being a Guide to the Reading of Ancient Manuscripts Being a Guide to the Reading of Ancient Manuscripts
Language
en
Duration
~3 hours (176K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United Kingdom: Elliot Stock, 1903.
Credits
Karin Spence and The Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
Apr 4, 2022
Rights
Public domain in the USA.
1860–1949
A patient guide to the mysteries of old handwriting, she turned family papers and medieval records into something ordinary readers could actually use. Her work sits at the crossroads of genealogy, local history, and the practical craft of reading the past.
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