
T H E C O M M E N T A R I E S OF C Æ S A R
CHAPTER I. INTRODUCTION.
CHAPTER II. FIRST BOOK OF THE WAR IN GAUL.—CÆSAR DRIVES FIRST THE SWISS AND THEN THE GERMANS OUT OF GAUL.—B.C. 58.
CHAPTER III. SECOND BOOK OF THE WAR IN GAUL.—CÆSAR SUBDUES THE BELGIAN TRIBES.—B.C. 57.
CHAPTER IV. THIRD BOOK OF THE WAR IN GAUL.—CÆSAR SUBDUES THE WESTERN TRIBES OF GAUL.—B.C. 56.
CHAPTER V.
CHAPTER VI. FIFTH BOOK OF THE WAR IN GAUL.—CÆSAR’S SECOND INVASION OF BRITAIN.—THE GAULS RISE AGAINST HIM.—B.C. 54.
CHAPTER VII.
CHAPTER VIII. SEVENTH BOOK OF THE WAR IN GAUL.—THE REVOLT OF VERCINGETORIX.—B.C. 52.
CHAPTER IX.
A rare window into the mind of a conqueror, this collection offers Caesar’s own words as he chronicles the events he lived through. Written with striking clarity, the narrative feels more like a report from the battlefield than a distant myth, giving listeners a sense of immediacy that bridges two millennia of history. It sets the stage for the rise of Rome by linking the familiar landscapes of modern Britain and continental Europe to the ancient campaigns that shaped them.
The early books follow Caesar’s relentless push through Gaul, from the subjugation of stubborn Celtic tribes to daring crossings of the Rhine and the first Roman forays onto British soil. His vivid descriptions of strategy, terrain, and the fierce resistance of the Gauls bring the clash of cultures to life, while his measured reflections reveal the political calculations behind each victory. The work also hints at the looming conflict within Rome itself, promising further intrigue without giving away the outcome.
Language
en
Duration
~4 hours (287K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Books project.)
Release date
2017-11-09
Rights
Public domain in the USA.

1815–1882
Best known for the richly observed Barsetshire and Palliser novels, this prolific Victorian storyteller turned the routines of public life, ambition, and family into vivid, deeply human fiction. He also drew on years working for the Post Office, which gave him a practical eye for institutions and the people inside them.
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