
This text of The Comedy of Errors is from Volume I of the nine-volume 1863 Cambridge edition of Shakespeare. The Preface (e-text 23041) and the other plays from this volume are each available as separate e-texts.
THE WORKS - OF - WILLIAM SHAKESPEARE - EDITED BY - WILLIAM GEORGE CLARK, M.A. - FELLOW AND TUTOR OF TRINITY COLLEGE, AND PUBLIC ORATOR IN THE UNIVERSITY OF CAMBRIDGE; - and JOHN GLOVER, M.A. - LIBRARIAN OF TRINITY COLLEGE, CAMBRIDGE. - VOLUME I. - Cambridge and London: MACMILLAN AND CO. 1863.
In this lively early comedy, two sets of identical twins—brothers and servants—are unwittingly reunited in the bustling city of Ephesus after years apart. The bewildered locals, from a pompous duke to a nervous merchant, mistake each twin for his counterpart, leading to a cascade of wrongful arrests, accusations of theft, and comedic misunderstandings. As the tangled confusion escalates, the audience is treated to rapid‑fire wordplay and slap‑stick moments that showcase Shakespeare’s knack for timing.
The play’s structure is a tight succession of scenes that bounce between the ducal palace, market stalls, and private homes, each setting amplifying the chaos. Through witty banter and farcical situations, themes of identity, family, and the absurdity of bureaucratic law emerge, while the audience watches the bewildering mix‑ups unfold. This short, fast‑paced work offers a delightful entry point into Shakespeare’s comedic genius.
Full title
The Comedy of Errors The Works of William Shakespeare [Cambridge Edition] [9 vols.]
Language
en
Duration
~1 hours (114K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Louise Hope, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Release date
2007-12-30
Rights
Public domain in the USA.

1564–1616
One of the most influential writers in any language, this English playwright and poet helped shape the way stories are told on stage and on the page. His tragedies, comedies, histories, and sonnets still feel alive because they speak so directly to ambition, love, jealousy, power, and grief.
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