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INTRODUCTION
PREFACE
ILLUSTRATIONS
CHAPTER ONE - THE PLACE OF THE DRAGON IN CHINESE LIFE
CHAPTER TWO - HOW THE DRAGON IDEA ORIGINATED
CHAPTER THREE - THE VARIETIES OF DRAGONS
CHAPTER FOUR - WHAT DRAGONS REALLY LOOK LIKE
CHAPTER FIVE - PEOPLE WHO HAVE SEEN DRAGONS
CHAPTER SIX - THE DRAGON IN WESTERN MYTHOLOGY
This compact study explores the Chinese dragon as a living symbol that has shaped art, literature, and everyday life for more than four millennia. From the bronze astronomical devices cast for a Qing‑era emperor to the soaring marble columns guarding a Confucian temple, the author shows how the dragon appears in objects as diverse as scientific instruments, architecture, and ritual décor. Along the way, readers meet the myths that gave the creature its celestial aura and see how those stories continue to influence modern Chinese identity.
The researcher behind the book was born in China, speaks the language fluently, and has spent fourteen years traveling across half the country’s provinces to gather material from original sources. His long‑term, on‑the‑ground approach lets him weave together folklore, historical records, and visual analysis into a clear, accessible narrative. Whether you are new to Chinese culture or already familiar with its symbols, the work offers a thorough overview that invites further curiosity about the dragon’s many faces.
Language
en
Duration
~1 hours (64K characters)
Publisher of text edition
Project Gutenberg
Original publisher
China: Commerical Press Limited, 1923.
Credits
Jeroen Hellingman and the Online Distributed Proofreading Team at https://www.pgdp.net/ for Project Gutenberg (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Release date
2022-01-15
Rights
Public domain in the USA.
Subjects
b. 1883
Born in China to American missionary parents, this early 20th-century writer brought firsthand knowledge and fluent language skills to his books on Chinese culture. His work blends curiosity, travel, and close observation, especially in his studies of the Great Wall and the enduring symbolism of the dragon.
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