Tempesta e bonaccia: Romanzo senza eroi

audiobook

Tempesta e bonaccia: Romanzo senza eroi

by marchesa Colombi

IT·~4 hours·47 chapters

Chapters

47 total

Produced by Carlo Traverso, Claudio Paganelli and the

0:16

LA MARCHESA COLOMBI - TEMPESTA E BONACCIA - ROMANZO SENZA EROI

0:12

TEMPESTA E BONACCIA - I

0:11

II.

0:08

III.

3:10

IV.

0:59

V.

6:14

VI.

3:19

VII.

2:09

VIII.

16:42

Description

In the bustling streets of 19th‑century Milan, a modest middle‑class man finds his orderly life overturned by an all‑consuming love. He confesses to the listener a fierce devotion to a woman already promised to another, a husband who cloaks possessiveness in aristocratic entitlement. The narrative unfolds as a restless inner monologue, revealing the tension between personal desire and the rigid expectations of polite society.

As the affair deepens, the protagonist wrestles with jealousy, guilt, and the bitter sting of rivalry with the very man whose hand he must greet with a smile. He narrates the daily charade of polite acquaintanceship, the sleepless nights haunted by imagined betrayals, and the slow erosion of his moral certainty. The story paints a vivid portrait of a love that feels both noble and selfish, exposing the fragile line between honor and obsession.

Through elegant prose and a voice that oscillates between melancholy and defiant passion, the novel invites listeners to contemplate how far one will go when the heart refuses to obey convention, all while the city’s restless energy swirls around the private storm of yearning.

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Details

Language

it

Duration

~4 hours (270K characters)

Publisher of text edition

Project Gutenberg

Release date

2006-03-03

Rights

Public domain in the USA.

Subjects

About the author

marchesa Colombi

marchesa Colombi

1840–1920

Best known by the pen name Marchesa Colombi, this Italian writer and journalist brought sharp wit and clear-eyed realism to stories about women’s everyday lives. Her work was hugely popular in its time and is now often remembered for its early feminist voice.

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