
I RAGAZZI D’UNA VOLTA E I RAGAZZI D’ADESSO.
DUE PAROLE D’ESORDIO
Come il nonno imparò a nuotare
Santa Lucia
Come il nonno si fece levare un dente
Come il nonno diventò un famoso ballerino
Come il nonno imparò a sonare il flauto
Come il nonno imparò a farsi la barba
Come il nonno non si vestì di nuovo
Come il nonno troncò una serie di rappresentazioni
A vivid, reflective portrait of late‑nineteenth‑century Italian childhood unfolds through the eyes of an observant narrator who weighs the comforts of modern progress against the raw, unfiltered joy of earlier generations. He sketches bustling boarding schools, seaside sanatoria, and the gentle tyranny of disciplined families, noting how new hygiene practices and structured curricula reshape both body and spirit. The essay also highlights the stark contrast between affluent households that can afford elaborate health retreats and the charitable institutions that strive to lift poorer youths into better health.
Interwoven with tender humor and a touch of melancholy, the narrator questions whether the softened, carefully managed upbringing truly cultivates stronger characters. He evokes scenes of children carrying simple breakfasts versus today’s elaborate provisions, and of stern punishments that have faded into legend. The result is a thoughtful meditation on how society’s evolving attitudes toward education, medicine, and leisure impact the very essence of youth, leaving listeners to consider the balance between protection and freedom.
Language
it
Duration
~3 hours (219K characters)
Publisher of text edition
Project Gutenberg
Original publisher
Milano: Galli, 1888.
Credits
Barbara Magni and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by Biblioteca Nazionale Braidense - Milano)
Release date
2024-03-03
Rights
Public domain in the USA.

1840–1920
Best known by the pen name Marchesa Colombi, this Italian writer and journalist brought sharp wit and clear-eyed realism to stories about women’s everyday lives. Her work was hugely popular in its time and is now often remembered for its early feminist voice.
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