
audiobook
SZÁZADUNK
SZÁZADUNK MAGYAR IRODALMA KÉPEKBEN
TARTALOM
ELSŐ RÉSZ
I SZÉCHENYI ÉS KORA 1791–1860
II A MESTER 1788–1830
III LÁNGÉSZ A HOMÁLYBAN 1792–1830
IV IRODALMI TÁRSASKÖRÖK 1810–1830
V VÖRÖSMARTY 1800–1855
VI KISEBB EPIKUSOK 1814–1834
A vivid, picture‑rich guide walks listeners through the flowering of modern Hungarian prose and poetry, beginning with the cultural awakening sparked by Széchenyi’s reforms and stretching to the era of the 1867 Compromise. Rather than a dense academic treatise, the work presents the period’s literary currents as a series of lively sketches, illuminating the personalities, salons and rivalries that shaped the nation’s voice. By focusing on the human stories behind the texts, it brings the ages of Romantic lyricism, early realism and the rise of the novel into clear, relatable view.
Designed especially for younger ears and curious readers, the narrative balances factual detail with an engaging, accessible tone, inviting listeners to picture bustling cafés, heated debates and the burst of creative energy that defined the time. It highlights key figures—from poets who championed national identity to dramatists who reshaped the stage—while tracing how social and political shifts influenced their work. The result is a concise yet colorful portrait of a pivotal century in Hungarian literature, perfect for anyone eager to explore the era’s artistic spirit.
Language
hu
Duration
~8 hours (464K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Albert László, Robert Mouris, László Mamrovits and the Hungarian Distributed Proofreading Team at http://dphu.aladar.hu (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Release date
2013-02-08
Rights
Public domain in the USA.

1850–1920
A popular Hungarian lyric poet and prose writer, he was known for emotionally direct verse and a remarkably broad body of work. His writing moved between intimate poetry, literary history, and the editing of Hungarian folk songs.
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