Sir Joshua Reynolds' Discourses Edited, with an Introduction, by Helen Zimmern

audiobook

Sir Joshua Reynolds' Discourses Edited, with an Introduction, by Helen Zimmern

by Sir Joshua Reynolds

EN·~9 hours·26 chapters

Chapters

26 total
1

SIR JOSHUA REYNOLDS' DISCOURSES: EDITED, WITH AN INTRODUCTION, BY HELEN ZIMMERN.

0:05
2

WALTER SCOTT - LONDON: 24 WARWICK LANE - PATERNOSTER ROW 1887

0:04
3

INTRODUCTION.

44:36
4

TO THE KING.

1:10
5

TO THE MEMBERS - OF - THE ROYAL ACADEMY.

0:35
6

DISCOURSES.

0:00
7

SIR JOSHUA REYNOLDS' DISCOURSES.

0:02
8

DISCOURSE I.

16:03
9

DISCOURSE II.

26:47
10

DISCOURSE III.

26:08

Description

In this thoughtful edition, the celebrated 18th‑century painter Sir Joshua Reynolds comes alive through his own lectures on the fine arts. The book opens with a lively portrait of the artist, complete with his spectacles and ear‑trumpet, and quickly establishes his role as a pioneer who helped forge a distinct English school of painting. Reynolds’s own words reveal his belief that a portrait should capture both the likeness and the character that makes a person memorable.

Helen Zimmern’s scholarly introduction frames these discourses within the turbulent cultural shift from Renaissance imports to home‑grown talent, noting how religious and political changes shaped artistic ambition in England. Readers gain insight into Reynolds’s ideas about taste, the public’s responsibility to art, and the practical concerns of training young painters. The collection offers a vivid glimpse into the early debates that still influence how we talk about art today.

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Details

Full title

Sir Joshua Reynolds' Discourses Edited, with an Introduction, by Helen Zimmern Edited, with an Introduction, by Helen Zimmern

Language

en

Duration

~9 hours (545K characters)

Publisher of text edition

Project Gutenberg

Release date

2014-12-09

Rights

Public domain in the USA.

Subjects

About the author

Sir Joshua Reynolds

Sir Joshua Reynolds

1723–1792

A towering figure in 18th-century British art, this painter helped turn portraiture into something grand, intelligent, and deeply fashionable. As the first president of the Royal Academy, he shaped not just how Britain painted, but how it thought about painting.

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