Shakespeare's Lost Years in London, 1586-1592

audiobook

Shakespeare's Lost Years in London, 1586-1592

by Arthur Acheson

EN·~7 hours·17 chapters

Chapters

17 total

SHAKESPEARE'S LOST YEARS IN LONDON - 1586-1592 - SHAKESPEARE'S LOST YEARS IN LONDON - 1586-1592

1:31

SHAKESPEARE'S LOST YEARS IN LONDON - 1586-1592

0:03

CHAPTER I

30:30

CHAPTER II

33:31

CHAPTER III

57:29

CHAPTER IV

31:07

CHAPTER V

1:10:27

CHAPTER VI

33:36

CHAPTER VII

57:10

CHAPTER VIII

1:20:25

Description

In this meticulously researched narrative the author reconstructs the bustling world of London between 1586 and 1592, the period when Shakespeare first entered the capital’s theatrical scene. Drawing on court records, company accounts and contemporary pamphlets, the work charts his early ties to the Burbages, Edward Alleyn’s troupe, and the emerging patronage of the Earl of Southampton. Along the way it reveals how the defeat of the Spanish Armada and a relatively peaceful Elizabethan decade shaped the city’s literary energy and the stage’s role as a public forum.

The study also follows the parallel rise of the scholar‑translator John Florio, arguing convincingly that his linguistic innovations fed directly into the creation of the Falstaff character. By weaving together politics, poetry and performance, the book offers listeners a vivid portrait of the cultural forces that launched Shakespeare’s career, without venturing beyond the formative first act of his London adventure.

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Details

Language

en

Duration

~7 hours (452K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Jonathan Ingram, Graeme Mackreth and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)

Release date

Feb 3, 2008

Rights

Public domain in the USA.

About the author

AA

Arthur Acheson

1864–1930

Best known for energetic Shakespeare scholarship, this Irish-born writer explored literary mysteries with confidence and flair. His books return again and again to Elizabethan London, authorship questions, and the lives behind the plays.

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