
TRANSCRIBER'S NOTE: In the printed version of this text, all apostrophes for contractions such as "can't", "wouldn't" and "he'd" were omitted, to read as "cant", "wouldnt" and "hed". This etext restores the omitted apostrophes.
Bernard Shaw’s essay takes a keen, almost forensic look at monogamy, peeling back the polished veneer of Victorian respectability to expose the messy realities of desire, flirtation, and the quiet compromises people make. With his trademark wit, Shaw sets up a dialogue between the self‑styled “theorist” of love and the everyday individuals who live it out in ordinary rooms and private glances. The opening frames the discussion as a clinical study, inviting listeners to hear a perspective that is both scholarly and sharply comedic.
In the first act, Shaw maps the stark contrast between those who publicly champion progressive views on marriage and the secretive practitioners who guard their experiences jealously. He explores how social pressure, reputation, and the economics of property shape relationships, revealing a world where flirtation thrives behind respectable façades. The essay’s lively prose and incisive observations make it a thought‑provoking listening experience, urging anyone curious about the hidden currents beneath society’s moral codes to tune in.
Language
en
Duration
~1 hours (74K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Eve Sobol. HTML version by Al Haines.
Release date
2003-03-01
Rights
Public domain in the USA.
Subjects

1856–1950
A razor-sharp Irish playwright and critic, he turned comedy into a tool for questioning politics, class, religion, and social habits. Best known for plays like Pygmalion and Saint Joan, he wrote with wit that still feels fresh.
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