
OURIKA. - by - CLAIRE DE DURAS
LONDON: - PRINTED FOR LONGMAN, HURST, REES, ORME, BROWN, AND GREEN, PATERNOSTER-ROW. - 1824.
INTRODUCTION.
A young physician, newly arrived in Paris, finds himself called to a restored convent on the outskirts of the city. The ruined cloister, its tombstones half‑eroded by time, sets a somber stage for his first encounter with a veiled woman whose dark skin and luminous eyes starkly contrast the surrounding austerity. Her fragile health and quiet dignity draw him into a delicate dance of curiosity and compassion, hinting at a deeper, hidden sorrow.
Through careful conversation, the doctor learns that her melancholy is more than physical ailment; it is the echo of a life marked by displacement, secrecy, and unspoken grief. As he strives to ease her suffering, the narrative unfolds as a meditation on solitude, identity, and the fragile hope of belonging in a world that often feels alien. The story’s elegant prose and intimate observations invite listeners to linger on the quiet moments that reveal the profound humanity within an extraordinary encounter.
Language
en
Duration
~1 hours (57K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Dagny and Marc D'Hooghe (Images made available by the Google Books Project)
Release date
2015-06-29
Rights
Public domain in the USA.

1777–1828
Best known for Ourika, this French writer brought questions of race, gender, and social exclusion into fiction with unusual sharpness for the early 1800s. Her life moved through revolution, exile, and high society, and that tension gives her work much of its force.
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