
audiobook
ON THE PROCESSES FORTHE PRODUCTION OF EX LIBRIS(BOOK-PLATES)
PREFACE.
ON THE PROCESSES FOR THEPRODUCTION OF EX LIBRIS.
WOOD ENGRAVING.
ENGRAVING ON COPPERAND STEEL.
LITHOGRAPHY.
PROCESS BLOCKS.
HINTS TO COLLECTORSOF EX LIBRIS.
“AU REVOIR.”
This compact volume offers a clear, step‑by‑step look at how book‑plates—those tiny artworks that mark a personal library—are created and reproduced. Rather than dwelling on the evolution of styles, the author concentrates on the practical techniques that bring a design from the artist’s sketch to a printable block, making the subject approachable for both collectors and newcomers.
The text walks readers through the whole range of processes, beginning with the rough woodcuts of early printed books, moving on to the refined copper engravings of masters like Dürer, and then exploring modern methods such as metal etching, photomechanical transfers, and block printing. Helpful illustrations accompany each section, showing the results that each technique can achieve. Even those with no background in engraving can follow the explanations and gain a solid grounding in the craft of producing faithful, affordable Ex Libris.
Language
en
Duration
~1 hours (75K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by deaurider, Paul Marshall and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2020-05-14
Rights
Public domain in the USA.

Best known for writing about heraldry, symbolism, and decorative art, this Victorian-era designer brought a scholar’s eye and an artist’s hand to unusual subjects. His books remain especially appealing to readers curious about mythical creatures, emblems, and the visual language of the past.
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