
audiobook
by P. H. (Peter Henry) Emerson
Transcriber’s Note:
NATURALISTIC PHOTOGRAPHY
PREFACE TO SECOND EDITION.
CONTENTS.
INTRODUCTION.
BOOK I. TERMINOLOGY AND ARGUMENT.
BOOK II. TECHNIQUE AND PRACTICE.
BOOK III. PICTORIAL ART.
L'ENVOI. PHOTOGRAPHY—A PICTORIAL ART.
APPENDIX.
A clear, step‑by‑step guide for anyone beginning the art of naturalistic photography, this book walks students through the fundamentals of turning a simple negative into a finished image. It begins with the basics of composition and lighting, then quickly moves to the chemistry and materials that give photographs their lasting quality. Throughout, concise notes and helpful corrections keep the learning curve smooth.
The bulk of the text is a practical handbook on the argentic‑gelatin‑bromide process, complete with tables of paper sizes, exposure times, and pricing for common supplies. Readers discover how to enlarge, mount, and finish prints on paper, opal, or canvas, and see real‑world examples ranging from reproductions of classic masters to contemporary portrait work. Detailed sidebars explain the use of specialized symbols, footnote references, and the handling of corrections, making the technical jargon approachable.
Beyond pure technique, the volume explores how photographic reproduction can support artistic projects, from book illustration to decorative home art. Its historical listings of suppliers and equipment give a glimpse into the Victorian‑era workshop, while the instructional tone remains relevant for modern students seeking a solid foundation in photographic art.
Language
en
Duration
~11 hours (679K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by KD Weeks, Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2018-03-24
Rights
Public domain in the USA.
Subjects

1856–1936
Best known for his quiet, atmospheric pictures of rural life, this pioneering photographer argued that the camera could be an art form in its own right. Trained as a doctor, he brought a sharp eye for observation to both his images and his writing.
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