
Transcriber's Notes:
LIST OF PLATES TO VOL. III.
PREFACE.
CHAPTER I. - OF THE RECEIVED OPINIONS TOUCHING THE "GRAND STYLE."
CHAPTER II. - OF REALIZATION.
CHAPTER III. - OF THE REAL NATURE OF GREATNESS OF STYLE.
CHAPTER IV. - OF THE FALSE IDEAL:—FIRST, RELIGIOUS.
CHAPTER V. - OF THE FALSE IDEAL:—SECONDLY, PROFANE.
CHAPTER VI. - OF THE TRUE IDEAL:—FIRST, PURIST.
CHAPTER VII. - OF THE TRUE IDEAL:—SECONDLY, NATURALIST.
This volume continues a sweeping survey of artistic truth and theory, written by a devoted Victorian critic who spent a decade probing the foundations of painting. Framed by a heartfelt defense of J.M.W. Turner, the author reflects on the harsh criticism that shadowed the master’s final years and argues for the lasting value of his vision. The prose is both personal and rigorous, revealing the writer’s conviction that art can be judged by clear, universal principles.
The book unfolds through a series of richly illustrated essays that examine everything from the delicate growth of leaves to the grand sweep of mountain landscapes. Detailed plates accompany discussions of naturalism in the works of Turner, Raphael, Titian, and others, while chapters on medieval botany and geology trace how scientific observation informs artistic truth. Readers are invited to follow a methodical journey that balances aesthetic appreciation with scholarly inquiry, making the volume a compelling guide for anyone interested in the intersection of nature and art.
Language
en
Duration
~13 hours (772K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Juliet Sutherland, RSPIII and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2012-02-18
Rights
Public domain in the USA.
Subjects

1819–1900
A brilliant Victorian critic who wrote about art, architecture, nature, and society with unusual energy and clarity. His books helped shape how generations of readers looked at beauty, work, and the moral purpose of art.
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