John Ruskin

author

John Ruskin

1819–1900

A brilliant and often provocative Victorian writer, he changed how readers thought about art, architecture, nature, and the moral purpose of work. His books range from vivid criticism to passionate social commentary, and they still feel lively, sharp, and deeply felt.

63 Audiobooks

Sesame and Lilies

Sesame and Lilies

by John Ruskin

The Ethics of the Dust

The Ethics of the Dust

by John Ruskin

Lectures on Landscape

Lectures on Landscape

by John Ruskin

The Two Paths

The Two Paths

by John Ruskin

La Bible d'Amiens

La Bible d'Amiens

by John Ruskin

Mornings in Florence

Mornings in Florence

by John Ruskin

Proserpina, Volume 1

Proserpina, Volume 1

by John Ruskin

Hortus Inclusus

Hortus Inclusus

by John Ruskin

Mons Spes, et novellæ aliæ

Mons Spes, et novellæ aliæ

by E. Parmalee (Ezra Parmalee) Prentice, Baron Edward Bulwer Lytton Lytton, Guy de Maupassant, John Ruskin, Robert Louis Stevenson

Of Vulgarity

Of Vulgarity

by John Ruskin

The Eagle's Nest

The Eagle's Nest

by John Ruskin

Val d'Arno

Val d'Arno

by John Ruskin

Proserpina, Volume 2

Proserpina, Volume 2

by John Ruskin

Kuninkaitten aarteet

by John Ruskin

Keskinäinen ihmisyys

by John Ruskin

About the author

Born in London on February 8, 1819, John Ruskin became one of the best-known English writers of the Victorian age. He was educated largely at home, developed an early gift for drawing and close observation, and went on to build his reputation as an art critic with Modern Painters, a major defense of J. M. W. Turner.

Ruskin wrote with unusual energy and conviction about painting, architecture, landscape, and society. In works such as The Seven Lamps of Architecture, The Stones of Venice, and later social writings including Unto This Last, he argued that beauty, craftsmanship, and justice were deeply connected. His ideas reached far beyond art criticism and influenced readers interested in design, labor, education, and social reform.

In his later years he lived at Brantwood in England’s Lake District and continued to write, teach, and draw, though his health became more fragile. He died on January 20, 1900, leaving behind a body of work that helped shape modern thinking about art’s place in everyday life.