
author
1819–1900
A brilliant and often provocative Victorian writer, he changed how readers thought about art, architecture, nature, and the moral purpose of work. His books range from vivid criticism to passionate social commentary, and they still feel lively, sharp, and deeply felt.

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin
![Stones of Venice [introductions]](https://listenly.io/api/img/6638ccd5972dc5c80ef82df4/cover.jpg)
by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by E. Parmalee (Ezra Parmalee) Prentice, Baron Edward Bulwer Lytton Lytton, Guy de Maupassant, John Ruskin, Robert Louis Stevenson

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin

by John Ruskin
by John Ruskin

by John Ruskin

by John Ruskin
by John Ruskin

by John Ruskin

by John Ruskin
by John Ruskin
by John Ruskin

by John Ruskin
by John Ruskin
Born in London on February 8, 1819, John Ruskin became one of the best-known English writers of the Victorian age. He was educated largely at home, developed an early gift for drawing and close observation, and went on to build his reputation as an art critic with Modern Painters, a major defense of J. M. W. Turner.
Ruskin wrote with unusual energy and conviction about painting, architecture, landscape, and society. In works such as The Seven Lamps of Architecture, The Stones of Venice, and later social writings including Unto This Last, he argued that beauty, craftsmanship, and justice were deeply connected. His ideas reached far beyond art criticism and influenced readers interested in design, labor, education, and social reform.
In his later years he lived at Brantwood in England’s Lake District and continued to write, teach, and draw, though his health became more fragile. He died on January 20, 1900, leaving behind a body of work that helped shape modern thinking about art’s place in everyday life.