Lectures on Art, Delivered Before the University of Oxford in Hilary Term, 1870

audiobook

Lectures on Art, Delivered Before the University of Oxford in Hilary Term, 1870

by John Ruskin

EN·~4 hours·12 chapters

Chapters

12 total

Library EditionTHE COMPLETE WORKSJOHN RUSKINTIME AND TIDEQUEEN OF THE AIRLECTURES ON ART AND LANDSCAPEARATRA PENTELICINATIONAL LIBRARY ASSOCIATIONNEW YORKCHICAGO

0:10

LECTURES ON ART. - DELIVERED

0:02

UNIVERSITY OF OXFORD

0:02

PREFACE TO THE EDITION OF 1887.

3:30

LECTURES ON ART

0:01

LECTURE I - INAUGURAL

48:13

LECTURE II - THE RELATION OF ART TO RELIGION

45:45

LECTURE III - THE RELATION OF ART TO MORALS

42:16

LECTURE IV - THE RELATION OF ART TO USE

42:21

LECTURE V - LINE

34:22

Description

Delivered to Oxford scholars in the early 1870s, these lectures embark on a daring project to weave art, architecture, and moral purpose into university education. The speaker, wrestling with personal loss and a restless drive for social reform, describes his ambition to plant a new intellectual tree even in seemingly poor soil. His candid admission of the difficulties balancing scholarly duties with creative passion sets a vivid tone for the series.

The talks move from practical considerations of sculpture and metalwork to deeper reflections on how honest craftsmanship shapes character and community. By drawing on Renaissance masters and the living streets of Venice, the lecturer shows that beauty is inseparable from ethical intention. Listeners gain a thoughtful entry point into ideas that, though rooted in the Victorian academy, still challenge modern assumptions about the role of visual culture in public life.

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Details

Language

en

Duration

~4 hours (274K characters)

Publisher of text edition

Project Gutenberg

Release date

2006-09-03

Rights

Public domain in the USA.

Subjects

About the author

John Ruskin

John Ruskin

1819–1900

A brilliant and restless Victorian writer, he changed the way people thought about art, architecture, nature, and work. His books move easily from close looking to big moral questions, which is why they still feel lively and surprising.

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