
PREFACE TO THE FIRST EDITION.
PREFACE TO THE SECOND EDITION.
PREFACE TO THE THIRD EDITION.
PREFACE TO NEW EDITION (1873).
SECTION I. - OF THE NATURE OF THE IDEAS CONVEYABLE BY ART.
SECTION II. - OF POWER.
SECTION I. - GENERAL PRINCIPLES RESPECTING IDEAS OF TRUTH.
SECTION II. - OF GENERAL TRUTHS.
SECTION III. - OF TRUTH OF SKIES.
SECTION IV. - OF TRUTH OF EARTH.
In this bold opening volume, a devoted admirer of landscape art launches a spirited defense against the shallow, often theatrical criticism that dominated the periodicals of his day. Frustrated by reviewers who reduced great works to fleeting fashions, he expands a brief letter into a thoughtful treatise that champions true beauty and the honest depiction of nature. The author’s aim is not to champion any single name, but to lift the neglected masters and restore a sense of reverence for genuine artistic excellence.
Through vivid discussions of both contemporary and historic painters, the essay illustrates key principles of composition, light, and atmosphere, using striking examples to make its case. Readers will hear a passionate argument for a more discerning public taste, one that values truth over affectation. For anyone curious about the evolution of landscape painting and the fierce debates that shaped it, this volume offers an engaging glimpse into a pivotal moment in art criticism.
Language
en
Duration
~19 hours (1120K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Juliet Sutherland, Marius Borror and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2009-09-04
Rights
Public domain in the USA.
Subjects

1819–1900
A brilliant Victorian critic who wrote about art, architecture, nature, and society with unusual energy and clarity. His books helped shape how generations of readers looked at beauty, work, and the moral purpose of art.
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