
audiobook
Michael Angelo Buonarroti London
Preface
Illustrations
PART I
CHAPTER I - THE RAPE OF DEIANIRA, OR THE BATTLE OF THE CENTAURS AND THE ANGEL OF THE SHRINE OF SAINT DOMINIC
CHAPTER II - THE BACCHUS AND THE MADONNA DELLA PIETÀ OF SAINT PETER'S
CHAPTER III - THE DAVID AND THE CARTOON OF PISA
CHAPTER IV - THE FIRST ACT OF THE TRAGEDY OF THE TOMB
CHAPTER V - THE COLOSSAL BRONZE FOR THE FAÇADE OF SAN PETRONIO
CHAPTER VI - THE VAULT OF THE SISTINE CHAPEL
This translation brings to life the intimate portrait of Michelangelo that his closest friend and pupil, Ascanio Condivi, recorded in 1553. Unlike Vasari’s grander narratives, Condivi writes with a personal touch, echoing the master’s own words and offering details of his early years, family background, and the studio atmosphere that shaped his genius. Listeners will hear vivid descriptions of the artist’s demeanor, his meticulous working methods, and the gentle rivalry that colored his relationships with contemporaries.
The volume also includes a useful appendix that surveys Michelangelo’s most celebrated projects, drawing on contracts, letters, and contemporary observations to illuminate how each masterpiece was conceived and executed. Added are three Portuguese dialogues that showcase the broader cultural impact of the Renaissance master, providing a fascinating glimpse of how his ideas were discussed beyond Italy. Together, these texts offer scholars and curious listeners a rare, straightforward window into the man behind the marble and frescoes, without the later legends that often obscure his true story.
Full title
Michael Angelo Buonarroti With Translations Of The Life Of The Master By His Scholar, Ascanio Condivi, And Three Dialogues From The Portugese By Francisco d'Ollanda With Translations Of The Life Of The Master By His Scholar, Ascanio Condivi, And Three Dialogues From The Portugese By Francisco d'Ollanda
Language
en
Duration
~10 hours (584K characters)
Publisher of text edition
Project Gutenberg
Release date
2006-09-19
Rights
Public domain in the USA.

1861–1917
An influential figure in British art, he balanced life as a painter and etcher with major roles at the Tate and the National Gallery. His writing and curatorial work helped shape how museum visitors encountered Renaissance and British art in the early 20th century.
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