
audiobook
PREFACE.
INTRODUCTION.
Part I. MATERIALIZATION AND DEMATERIALIZATION OF FORMS AND OBJECTS.
MATERIALIZED APPARITIONS.
CHAPTER I. MY FIRST SÉANCE, AND WHAT CAME OF IT.
CHAPTER II. PERSONIFICATION BY THE MEDIUM, OR MATERIALIZED FORMS?
CHAPTER III. MATERIALIZATION AND DEMATERIALIZATION OF OBJECTS.
CHAPTER IV. MATERIALIZATION AND DEMATERIALIZATION UNDER TEST CONDITIONS.
CHAPTER V. AN UNEXPECTED SÉANCE.
CHAPTER VI. SÉANCE WITH MRS. CARRIE M. SAWYER.
In the early 1840s a pragmatic inventor and sculptor finds himself drawn into the heated debate over mesmerism after a skeptical encounter with Dr. Colyer in New York. What begins as a light‑hearted challenge quickly turns into a series of weekly séances, where he and fellow investigators use delicate instruments—like a galvanometer—to search for any hidden magnetic currents. Their experiments reveal that a skilled subject can be placed into trance from a mile away, suggesting that sheer will, not electricity, may be at work.
Encouraged by these findings, he expands his inquiry to the broader world of trance‑mediumship, consulting a range of mediums and even a gifted relative whose messages seem to come from beyond the veil. The narrative then shifts to his most daring pursuit: materialization, the alleged appearance of solid forms from empty air. Blending careful observation, artistic sensibility, and an unflinching stance against fraud, he chronicles the phenomena with a balance of scientific rigor and philosophical wonder.
Language
en
Duration
~2 hours (132K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Roberta Staehlin, David Garcia, Charlene Taylor and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2010-11-29
Rights
Public domain in the USA.
Subjects

1818–1908
A self-taught sculptor who also wrote books and cared deeply about the natural world, he led a remarkably varied life. His story stretches from carving portrait busts in the 1800s to writing on poetry, fish culture, and everyday observation.
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