
CONTENTS.
CHAPTER I. INTRODUCTION.
CHAPTER II. PALMERSTON AS JUNIOR LORD OF THE ADMIRALTY AND SECRETARY OF WAR, APRIL, 1807, TO MAY, 1827.
CHAPTER III. SECRETARY AT WAR, WITH SEAT IN THE CABINET.
CHAPTER IV. PALMERSTON FOREIGN SECRETARY, NOVEMBER, 1830, TO NOVEMBER, 1834.
CHAPTER V. PALMERSTON AS FOREIGN SECRETARY, APRIL, 1835, TO AUGUST, 1841.
CHAPTER VI. PALMERSTON OUT OF OFFICE, AUGUST, 1841, TO JULY, 1846.
CHAPTER VII. PALMERSTON FOREIGN SECRETARY, JULY, 1846, TO DECEMBER, 1850.
CHAPTER VIII. THE STORY OF DON PACIFICO.
CHAPTER IX. PALMERSTON AS FOREIGN SECRETARY TILL HIS DISMISSAL, IN 1851.
Step into the turbulent world of mid‑Victorian Britain through a concise yet vivid portrait of one of its most energetic leaders. Drawing on contemporary newspapers, parliamentary speeches, and personal recollections, the author weaves together a narrative that feels both scholarly and immediate. The opening pages set the tone by positioning Palmerston's blend of ambition, moral conviction, and diplomatic daring against the backdrop of a nation grappling with its imperial identity.
From his early days as Junior Lord of the Admiralty to his first appointments as Secretary at War and later as Foreign Secretary, the memoir traces the formative moments that shaped his public persona. It highlights his confrontations with the Prince Consort and his willingness to challenge established counsel, revealing a character as bold in debate as in policy. Readers gain a clear sense of how his vigorous approach to foreign affairs began to steer England onto the global stage.
Language
en
Duration
~6 hours (368K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2017-09-29
Rights
Public domain in the USA.

1815–1882
Best known for the richly observed Barsetshire and Palliser novels, this prolific Victorian storyteller turned the routines of public life, ambition, and family into vivid, deeply human fiction. He also drew on years working for the Post Office, which gave him a practical eye for institutions and the people inside them.
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