
Produced by Mireille Harmelin, Eric Vautier and the Online
LES FEMMES D'ARTISTES - PAR - ALPHONSE DAUDET - PARIS ALPHONSE LEMERRE, ÉDITEUR M DCCC LXXVIII - PROLOGUE
I. MADAME HEURTEBISE
II. LE CREDO DE L'AMOUR
III. LA TRANSTÉVÉRINE
IV. UN MÉNAGE DE CHANTEURS
V. UN MALENTENDU
VERSION DE LA FEMME
VERSION DU MARI
VI. LES VOIES DE FAIT
In a warm, lamplit atelier, a poet and a painter linger on a plush divan, cigarette in hand, while a half‑shadowed portrait of a young woman watches them. Their conversation drifts from the comfort of family life—baby cries drifting from a nearby room—to a stubborn belief that marriage shackles the creative spirit. The painter defends his own surprising happiness, describing his wife and child as a calm harbor that has actually sharpened his brush rather than dulled it.
The poet, skeptical of such domestication, challenges him, fearing that the very intimacy the painter cherishes might erode the fragile genius of an artist. As they debate the rare kind of woman who can sustain both love and inspiration, references to Delacroix and the solitary life of the atelier surface, painting a vivid picture of the cultural myths surrounding artistic marriage. The dialogue sets the stage for a broader exploration of how women have shaped, constrained, and liberated the lives of their creative partners.
Language
fr
Duration
~2 hours (143K characters)
Publisher of text edition
Project Gutenberg
Release date
2006-01-20
Rights
Public domain in the USA.

1840–1897
Best remembered for warm, vivid stories of Provence, this French novelist and short-story writer mixed humor, feeling, and close observation of everyday life. His books helped make pieces like Letters from My Mill and Tartarin of Tarascon enduring classics of 19th-century French literature.
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