
Au lecteur
LE MUSÉEDU LOUVRE
QUENTIN LA TOUR (1704-1788) PORTRAIT DE LOUIS XV
ÉCOLE FRANÇAISE (JEAN PERRÉAL?) PORTRAIT D’HOMME
MEISSONIER (1815-1891) 1814
NICOLAS POUSSIN (1594-1665) L’INSPIRATION DU POÈTE
PRUD’HON (1758-1823) L’IMPÉRATRICE JOSÉPHINE
F. MILLET (1814-1875) L’ANGÉLUS
FRAGONARD (1732-1806) LES BAIGNEUSES
H. RIGAUD (1659-1743) PORTRAIT DE LOUIS XIV
A beautifully rendered guide to one of the world’s most celebrated museums, this volume offers a vivid tour of the Louvre’s treasures through ninety full‑color plates that bring each work to life. The illustrations are paired with concise notes that place the artworks in their historical and artistic context, inviting listeners to picture the grand halls and hidden corners of the collection.
Among the highlights is Quentin La Tour’s pastel portrait of a youthful Louis XV, rendered with a delicate precision that captures the king’s charm, intelligence and the intricate detail of his regal attire. The book also presents companion portraits of the queen, the dauphin, and leading military figures, while weaving in anecdotes about La Tour’s rise, his flamboyant negotiations with patrons, and the later shift in taste that obscured his fame.
Designed for anyone who loves art without needing a museum ticket, the narrative balances visual splendor with accessible commentary, offering an engaging auditory experience of the Louvre’s most luminous masterpieces.
Language
fr
Duration
~4 hours (244K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Claudine Corbasson, Hans Pieterse and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Release date
2017-06-03
Rights
Public domain in the USA.

1851–1934
A lively French art critic and historian, he helped bring museums, painters, and major works of art closer to a broad reading public. His career also reached into public service and republican politics, giving his writing an energetic sense of engagement with the culture of his time.
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