
audiobook
by Eugène-Emmanuel Viollet-le-Duc
L'ART RUSSE - SES ORIGINES - SES CIMENTS CONSTITUTIFS, SON APOGÉE - SON AVENIR - PAR - E. VIOLLET LE DUC - PARIS - V° A. MOREL ET Cie, ÉDITEURS - 1877 - PARIS.—IMPRIMERIE E. MARTINET, RUE MIGNON, 2.
INTRODUCTION
CHAPITRE PREMIER - DES ORIGINES DE L'ART RUSSE
CHAPITRE II - DES ÉLÉMENTS CONSTITUTIFS DE L'ART RUSSE
CHAPITRE III - L'ART RUSSE A SON APOGÉE
CHAPITRE IV - L'AVENIR DE L'ART RUSSE
CHAPITRE V - L'AVENIR DE L'ART RUSSE
CHAPITRE VI - L'AVENIR DE L'ART RUSSE
CONCLUSION
A sweeping survey of Russian visual culture, this study begins by questioning the long‑standing bias that Russia’s artistic achievements have been eclipsed by Western influence. The author argues that, far from being a chaotic mix of disparate peoples, the nation’s diverse heritage actually fertilised a distinct aesthetic, much as ancient Greece and Egypt did for their own arts. Drawing on a wealth of manuscripts, monuments and early illustrations, the opening chapters map the roots of Russian art from the twelfth century onward, teasing out the foundational motifs and techniques that set it apart.
The narrative then moves through the emergence of a recognizable style, its flourishing during a celebrated golden age, and finally looks ahead to contemporary possibilities. Detailed examinations of architecture, decorative sculpture and painting reveal how historic forms can be re‑imagined for modern use, while the concluding insights suggest a renewed confidence in a national genius long suppressed by imitation. Listeners will come away with a richer appreciation of how Russia’s past continues to shape its artistic future.
Language
fr
Duration
~6 hours (346K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif, Zoran Stefanovic and the Online Distributed Proofreaders Europe team at http://dp.rastko.net
Release date
2006-07-03
Rights
Public domain in the USA.
Subjects

1814–1879
Best known for bringing France’s great medieval monuments back to life, this brilliant restorer also became one of the 19th century’s most influential architectural thinkers. His books and designs helped shape how later generations understood Gothic architecture, restoration, and modern building itself.
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by Eugène-Emmanuel Viollet-le-Duc

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by Eugène-Emmanuel Viollet-le-Duc