
L’ART PENDANT LA GUERRE
L’ART PENDANT LA GUERRE
LEUR ART
CE QU’ILS N’ONT PU DÉTRUIRE - LES TAPISSERIES DE REIMS
LES RUINES
LA CARICATURE ET LA GUERRE
LA NOUVELLE ESTHÉTIQUE DES BATAILLES
TABLE DES MATIÈRES
Amid the turmoil of 1914‑1918, a world of brushstrokes, mosaics and monuments was caught in the crossfire. This volume surveys the cultural wreckage left by the Great War—ranging from shattered cathedrals and ruined tapestries to the frantic caricatures that sprang up in newspapers—while asking how artists responded when their heritage was ripped apart before their eyes.
The author turns a critical eye toward the German artistic community, tracing its evolution from the late‑19th‑century schools of Munich to the modernist experiments that surfaced in pre‑war exhibitions. By juxtaposing the lofty ambitions of the “Vertreter deutscher Kunst” with the grim reality of battlefield aesthetics, the narrative reveals a conflicted scene where propaganda, loss and a search for new visual language intertwine.
Through vivid descriptions and carefully sourced commentary, the book offers listeners a thoughtful portrait of a continent’s creative spirit struggling to survive, adapt, and perhaps redefine beauty amid unprecedented destruction.
Language
fr
Duration
~6 hours (365K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Clarity, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2015-08-03
Rights
Public domain in the USA.
1866–1932
A sharp-eyed French art critic and writer, he helped introduce John Ruskin’s ideas to readers in France and wrote with energy about English painting, the Italian Renaissance, and photography. His books move easily between close looking, cultural history, and clear, lively argument.
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