author
1866–1932
A sharp-eyed French art critic and writer, he helped introduce John Ruskin’s ideas to readers in France and wrote with energy about English painting, the Italian Renaissance, and photography. His books move easily between close looking, cultural history, and clear, lively argument.

by Robert de La Sizeranne

by Robert de La Sizeranne
Born in Tain-l'Hermitage in 1866 and later based in Paris, Robert de La Sizeranne studied at the collège de Vaugirard, earned a law degree, and worked as a lawyer before turning strongly toward writing on art. He became a regular contributor to Revue des deux mondes and built a reputation as an art critic, historian of art, translator, and essayist.
He is especially remembered for helping spread the ideas of John Ruskin in France, notably through Ruskin et la religion de la beauté (1897). His writing also explored 19th-century English painting, the Italian Renaissance, and the aesthetics of photography, including the much-discussed La Photographie est-elle un art? His later books, such as Les Masques et les visages, show his lasting interest in portraiture and Renaissance personalities.
His work was recognized by the Académie française, which awarded him the Prix Bordin and later the Prix Vitet, and he was named a Chevalier of the Légion d'honneur. He died in Paris in 1932, leaving behind a body of criticism that helped connect French readers with British art thought and a wider European view of beauty and style.