
LA CANNE
M. DE BALZAC
TABLE
PRÉFACE
LA CANNE DE M. DE BALZAC
Mme ÉMILE DE GIRARDIN
A witty, self‑aware essay opens by recounting the author’s battles with censors who demanded the removal of love scenes, verses, and even a satirical chapter. Through this behind‑the‑curtain narrative, the work introduces a central paradox: the striking good looks that society prizes are also a hidden curse, a “fatal gift” that isolates its bearer. The author frames beauty as an inherited burden, a double‑edged favor that turns admiration into alienation.
From there, the text launches into a lively meditation on what it means to be truly beautiful. It sketches the lives of men whose looks make them both celebrated and constrained, from model‑poses in ateliers to flamboyant military uniforms, exposing how elegance can dictate career paths and social roles. The tone is both playful and incisive, inviting listeners to reflect on the subtle tyranny of outward perfection while enjoying the author’s sharp humor and literary allusions.
Language
fr
Duration
~4 hours (238K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Mireille Harmelin, Chuck Greif and the Online Distributed Proofreading Team at DP Europe (http://dp.rastko.net); produced from images of the Bibliothèque nationale de France (BNF/Gallica) at http://gallica.bnf.fr
Release date
May 7, 2007
Rights
Public domain in the USA.

1804–1855
A sharp, celebrated voice in 19th-century French letters, she wrote poetry, fiction, plays, and witty newspaper pieces that made her a standout in Paris literary life. Writing under names including Vicomte Delaunay, she brought elegance and bite to everything from society sketches to drama.
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