Essais poétiques

audiobook

Essais poétiques

by Mme Emile de Girardin

FR·~1 hours·14 chapters

Chapters

14 total

— Note de transcription —

0:40

A ma Mère.

2:58

CHANT OSSIANIQUE SUR LA MORT De Napoléon.

3:48

NOTE DU CHANT OSSIANIQUE.

1:19

La Noce d’Elvire.

2:53

Le Dévouement Des Médecins Français et Des Sœurs de Ste.-Camille, Dans la Peste de Barcelonne.

13:41

Le Bonheur d’être belle.

1:46

Le Loup et Le Louveteau.

3:30

Les Adieux.

2:52

Magdeleine. CHANT PREMIER.

7:03

Description

A delicate tapestry of early‑nineteenth‑century French verse opens this collection, where the poet’s voice moves between tender homages to a beloved mother and wistful meditations on art, fame and longing. The opening pieces blend intimate confession with classical allusion, letting the reader feel the pull of memory and the ache of unrealised desire, all wrapped in the lyrical cadence of the period.

Interwoven among the personal reflections is a vivid, almost theatrical fragment that recounts a gathering at Malmaison, where the poet engages Napoleon in a debate over epic versus didactic poetry. The episode, punctuated by a haunting “chant ossianique” dedicated to the emperor’s memory, showcases the era’s fascination with mythic tradition and the politics of literary taste. Listeners will be drawn into the elegant cadence and historical color that make this early Romantic oeuvre both intimate and grand.

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Details

Language

fr

Duration

~1 hours (69K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Laurent Vogel, Frank Zago, Google Books and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)

Release date

2014-07-22

Rights

Public domain in the USA.

About the author

Mme Emile de Girardin

Mme Emile de Girardin

1804–1855

A sharp, versatile voice of French Romanticism, she moved easily between poetry, fiction, drama, and journalism. Writing under several names, she became especially known for her witty portraits of Parisian society and public life.

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