
IVORIESANCIENT AND MEDIÆVAL.
LIST OF FULL PAGE PLATES
LIST OF WOODCUTS.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
A richly illustrated survey, this volume opens a door onto centuries of ivory artistry, pairing detailed woodcuts with full‑page plates that showcase everything from delicate pastoral staffs to ornate reliquary triptychs. The author sets the material’s natural qualities straight—its distinctive dentine striations—and then traces how craftsmen across Europe and beyond turned tusk, walrus tooth, and even fossilized ivory into objects of both daily use and devotional splendor.
Beyond the visual feast, the text weaves in historical anecdotes: a Norse explorer’s 9th‑century report to King Alfred, medieval tales of walrus‑tooth chessmen, and the spread of ivory work through Carlovingian, Byzantine and Hispano‑Moresque workshops. By comparing elephant, walrus, narwhal and fossil sources, the book reveals how availability shaped style, technique, and the symbolic weight each piece carried in its time.
Language
en
Duration
~3 hours (208K characters)
Series
South Kensington Museum art handbooks; no. 2
Publisher of text edition
Project Gutenberg
Credits
Produced by Susan Skinner, Paul Marshall and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2020-02-21
Rights
Public domain in the USA.

d. 1890
A clergyman-turned-scholar, he became known for serious, influential work on Christian liturgy and church history. His life also took a dramatic turn when he left the Church of England and later entered the Roman Catholic Church.
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