
IPHIGENIA IN TAURIS. - PERSONS OF THE DRAMA. - IPHIGENIA. THOAS, King of the Taurians. ORESTES. PYLADES. ARKAS.
ACT THE FIRST. - SCENE I.
ACT THE SECOND.
ACT THE THIRD.
ACT THE FOURTH.
ACT THE FIFTH.
Others to follow
In a quiet grove beside Diana’s temple, Iphigenia, a priestess far from her Greek home, voices the ache of exile. She reflects on the loss of family, the weight of a sacred vow, and the uneasy peace of serving a foreign goddess while yearning for the familiar shores of Greece. Her monologue weaves together personal grief and the broader question of what a woman’s fate means when caught between duty and desire.
The scene expands as the Taurian king, Thoas, and his herald Arkas arrive, bringing the promise of a ceremonial welcome. Their presence stirs both hope and suspicion; Arkas senses the lingering sorrow behind Iphigenia’s calm, while the priestess grapples with the ancient custom of sacrificing strangers at the altar. Listeners are invited into a tense encounter that explores loyalty, identity, and the fragile balance between tradition and compassion.
Language
en
Duration
~1 hours (94K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Starner, Peter Barozzi and the Online Distributed Proofreading Team.
Release date
May 18, 2005
Rights
Public domain in the USA.

1749–1832
A towering figure of German literature, he was a poet, novelist, dramatist, scientist, lawyer, and statesman whose work ranged from The Sorrows of Young Werther to the monumental Faust. His wide-ranging curiosity and collaboration with Friedrich Schiller helped shape the era known as Weimar Classicism.
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