Illuminated Manuscripts

audiobook

Illuminated Manuscripts

by John William Bradley

EN·~6 hours·67 chapters

Chapters

67 total

Illuminated Manuscripts - John Bradley - Bracken Books London

0:04

Book I - CHAPTER I - INTRODUCTORY

0:18

CHAPTER II - VELLUM AND OTHER MATERIALS

0:15

CHAPTER III - WRITING

0:18

CHAPTER IV - GREEK AND ROMAN ILLUMINATION

0:12

CHAPTER V - BYZANTINE ILLUMINATION

0:25

CHAPTER VI - CELTIC ILLUMINATION

0:20

CHAPTER VII - CELTIC ILLUMINATION—continued

0:16

CHAPTER VIII - SEMI-BARBARIC ILLUMINATION

0:23

CHAPTER IX - DEVELOPMENT OF THE INITIAL

0:13
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Description

This thorough introduction asks the basic question—what is art?—and then builds a clear picture of the world of illuminated manuscripts. It walks listeners through the very fibres of the books, from the preparation of vellum and parchment to the various scripts that shaped medieval texts. The early chapters also set the stage by distinguishing illumination from miniature painting and tracing the origins of the term “miniature.”

From there the journey spans the full spectrum of medieval art: the classical roots of Greek and Roman illumination, the solemn splendor of Byzantine gospel books, the intricate interlacing of Celtic manuscripts like the Book of Kells, and the evolving styles of the Carolingian and later monastic workshops. Each cultural chapter highlights key examples, techniques, and the symbolic language of color, gold, and ornament. Listeners will come away with a map of how these radiant pages reflected both the spiritual ideals and the political ambitions of their creators.

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Details

Language

en

Duration

~6 hours (401K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Project Rastko, Zoran Stefanovic, H.J. Bent and the Online Distributed Proofreaders Europe at http://dp.rastko.net.

Release date

Nov 19, 2006

Rights

Public domain in the USA.

About the author

JW

John William Bradley

1830–1916

Best known for writing about illuminated manuscripts and book decoration, this Victorian-era scholar helped make a specialized corner of art history approachable for general readers. His work blends the eye of a librarian with the enthusiasm of a guide who clearly loved old books.

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