
GREAT CATHERINE (WHOM GLORY STILL ADORES)
By George Bernard Shaw - "In Catherine's reign, whom Glory still adores" BYRON
THE AUTHOR'S APOLOGY FOR GREAT CATHERINE
GREAT CATHERINE
THE FIRST SCENE
THE SECOND SCENE
THE THIRD SCENE
THE FOURTH SCENE
A witty, sharply observed comedy, this play turns the grand stage of 18th‑century Russian court life into a lively farce. It follows an English country gentleman who, through plain‑spoken honesty and a dash of courage, finds himself entangled in Catherine’s extravagant world of intrigue, satire, and theatrical excess. As he navigates the flamboyant ceremonies and the absurdities of power, the audience sees both the pomp of imperial ambition and the human foibles that underlie it.
The work is less a strict history lesson than a clever commentary on the pretensions of politics and the fickle nature of fame. Shaw uses the larger‑than‑life persona of Catherine—part ruler, part performer—to expose the gap between lofty liberal rhetoric and the messy realities of governance. The result is a sparkling blend of humor and insight that invites listeners to laugh while they contemplate the timeless dance between authority and absurdity.
Language
en
Duration
~1 hours (80K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Eve Sobol, and David Widger
Release date
Oct 1, 2002
Rights
Public domain in the USA.

1856–1950
Best known for sharp, witty plays that still feel modern, this Irish dramatist turned arguments about class, politics, and human behavior into lively, unforgettable theatre. His work includes Pygmalion, Man and Superman, and Saint Joan, and he won the Nobel Prize in Literature for writing marked by idealism, humanity, and brilliant satire.
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