
GIORGIONE - BY - HERBERT COOK, M.A., F.S.A. - BARRISTER-AT-LAW - 1904
PREFACE
NOTE TO THE SECOND EDITION
LIST OF ILLUSTRATIONS
BIBLIOGRAPHY
GIORGIONE - CHAPTER I - GIORGIONE'S LIFE
CHAPTER II - GENERALLY ACCEPTED WORKS
CHAPTER III - INTERMEDIATE SUMMARY
CHAPTER IV - ADDITIONAL PICTURES—PORTRAITS
CHAPTER V - ADDITIONAL PICTURES OTHER THAN PORTRAITS
A fresh, scholarly portrait of one of the Renaissance’s most elusive masters unfolds in this meticulously researched study. Drawing on newly uncovered documents and recently restored paintings, the author sets out to untangle the myths that have long surrounded the artist’s life and output. The narrative invites listeners to travel from the mist‑shrouded hills of Castelfranco to the bustling workshops of Venice, tracing the early steps of a painter whose name still stirs debate.
The author’s approach is both rigorous and humane, weaving together the findings of earlier critics with a psychological lens that seeks to understand the man behind the brush. Personal visits to galleries across Europe—often revisiting the same works years apart—give the text a palpable sense of observation and evolving insight. Where past scholarship diverged, this work aims to reconcile contradictions, offering clear, reasoned assessments of each attributed masterpiece.
Supplemented by a rich collection of illustrations and an extensive appendix of recent scholarly exchanges, the book serves both seasoned connoisseurs and curious newcomers. It provides a vivid, up‑to‑date guide to the painter’s oeuvre, enriching any listener’s appreciation of his subtle, poetic vision.
Language
en
Duration
~4 hours (273K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Dave Morgan, Wilelmina Mallière and the Online Distributed Proofreading Team.
Release date
2004-05-01
Rights
Public domain in the USA.
Subjects

1868–1939
An English art historian and collector, he is best remembered for writing on Renaissance painting and for helping preserve and share one of Britain’s notable private art collections. His work linked scholarship with the world of connoisseurship at a time when old master studies were taking shape as a modern field.
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