
GIORGIONE - BY - HERBERT COOK, M.A., F.S.A. - BARRISTER-AT-LAW - 1904
PREFACE
NOTE TO THE SECOND EDITION
LIST OF ILLUSTRATIONS
BIBLIOGRAPHY
GIORGIONE - CHAPTER I - GIORGIONE'S LIFE
CHAPTER II - GENERALLY ACCEPTED WORKS
CHAPTER III - INTERMEDIATE SUMMARY
CHAPTER IV - ADDITIONAL PICTURES—PORTRAITS
CHAPTER V - ADDITIONAL PICTURES OTHER THAN PORTRAITS
A fresh, scholarly portrait of one of the Renaissance’s most elusive masters unfolds in this meticulously researched study. Drawing on newly uncovered documents and recently restored paintings, the author sets out to untangle the myths that have long surrounded the artist’s life and output. The narrative invites listeners to travel from the mist‑shrouded hills of Castelfranco to the bustling workshops of Venice, tracing the early steps of a painter whose name still stirs debate.
The author’s approach is both rigorous and humane, weaving together the findings of earlier critics with a psychological lens that seeks to understand the man behind the brush. Personal visits to galleries across Europe—often revisiting the same works years apart—give the text a palpable sense of observation and evolving insight. Where past scholarship diverged, this work aims to reconcile contradictions, offering clear, reasoned assessments of each attributed masterpiece.
Supplemented by a rich collection of illustrations and an extensive appendix of recent scholarly exchanges, the book serves both seasoned connoisseurs and curious newcomers. It provides a vivid, up‑to‑date guide to the painter’s oeuvre, enriching any listener’s appreciation of his subtle, poetic vision.
Language
en
Duration
~4 hours (272K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Dave Morgan, Wilelmina Mallière and the Online Distributed Proofreading Team.
Release date
May 1, 2004
Rights
Public domain in the USA.
Subjects

1868–1939
Best known as an English art historian and collector, he wrote clearly about Italian Renaissance painting and helped document one of Britain’s notable private art collections. His work is especially linked with studies of Giorgione and with the famous pictures at Doughty House.
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