
LES GRANDS ÉCRIVAINS FRANÇAIS - GEORGE SAND - PAR - E. CARO - DE L'ACADÉMIE FRANÇAISE - PARIS LIBRAIRIE HACHETTE ET Cie 79, BOULEVARD SAINT-GERMAIN, 79 - 1887
GEORGE SAND. REPRODUCTION DU DESSIN DE COUTURE.
CHAPITRE PREMIER
LES ANNÉES D'ENFANCE ET DE JEUNESSE - DE GEORGE SAND - LES ORIGINES ET LA FORMATION DE SON ESPRIT
CHAPITRE II
HISTOIRE DES OEUVRES DE GEORGE SAND - L'ORDRE ET LA SUCCESSION PSYCHOLOGIQUE DE SES ROMANS
CHAPITRE III
LES SOURCES DE L'INSPIRATION DE GEORGE SAND - LES IDÉES ET LES SENTIMENTS
CHAPITRE IV
L'INVENTION ET L'OBSERVATION CHEZ GEORGE SAND. SON STYLE. CE QUI DOIT PÉRIR ET CE QUI SURVIVRA DANS SON OEUVRE
The opening immerses listeners in a vivid portrait of a restless France on the brink of upheaval, where cafés echo with the verses of Hugo, Musset and Lamartine while a young woman named George Sand arrives in Paris with only a child, a handful of notebooks and a fierce, untested imagination. The narrative blends cultural commentary with intimate sketches of Sand’s formative years, capturing the intoxicating mix of literary salons, theatrical triumphs and the simmering desire for social renewal that defined the 1830s and 1840s.
Through richly textured description, the work explores how Sand’s early encounters with the capital’s artistic currents shaped her unconventional voice and daring spirit. It invites listeners to trace the first steps of a writer whose reputation would oscillate between admiration and scandal, offering a thoughtful glimpse into the moment when a modest newcomer stepped onto a stage that would soon be her own.
Language
fr
Duration
~5 hours (296K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Wilelmina Mallière and the Online Distributed Proofreading Team. This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr
Release date
2004-07-28
Rights
Public domain in the USA.

1826–1887
A thoughtful 19th-century French critic and philosopher, he wrote clearly about literature, belief, and the big intellectual debates of his time. His work often tried to defend moral and spiritual life in an age increasingly drawn to skepticism and materialism.
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