George Edmund Street: Unpublished Notes and Reprinted Papers

audiobook

George Edmund Street: Unpublished Notes and Reprinted Papers

by George Edmund Street

EN·~10 hours·18 chapters

Chapters

18 total

Transcriber’s Note:

0:10

GEORGE EDMUND STREET UNPUBLISHED NOTES AND REPRINTED PAPERS

0:15

LIST OF ILLUSTRATIONS

0:32

GEORGE EDMUND STREET

0:16

I

0:17

GEORGE EDMUND STREET

0:01

I

1:40:50

NOTES OF A TOUR IN CENTRAL ITALY TO WHICH ARE APPENDED A FEW NOTES FROM A LATER TOUR

0:05

II

58:15

NOTES ON FRENCH CHURCHES

0:01
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Description

A rare glimpse into the mind of a pioneering Victorian architect unfolds in this collection of unpublished notes and reprinted papers. The manuscript gathers George Edmund Street’s own sketches, travel observations, and reflections on restoring medieval cathedrals, painting a vivid picture of his relentless quest to revive Gothic craftsmanship in an age increasingly dominated by iron and concrete.

Complementing the primary material, Georgiana Goddard King contributes a thoughtful essay that situates Street’s work within the broader religious and cultural currents of his time. Interspersed with period illustrations of cathedrals from León to Cologne, the volume offers listeners a tangible sense of the places and principles that shaped his career. Whether you are drawn to architectural history, 19th‑century art, or the spirited personality behind the drawings, the book delivers an intimate portrait that brings a forgotten master back into lively conversation.

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Details

Language

en

Duration

~10 hours (627K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Sonya Schermann, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

Dec 10, 2018

Rights

Public domain in the USA.

About the author

George Edmund Street

George Edmund Street

1824–1881

A leading force in the Victorian Gothic Revival, he shaped the look of countless churches and left one of London's most famous public buildings behind. His work mixed scholarly detail with bold design, giving medieval forms a vivid new life in the 19th century.

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