Fromont and Risler — Volume 3

audiobook

Fromont and Risler — Volume 3

by Alphonse Daudet

EN·~1 hours·9 chapters

Chapters

9 total
1

BOOK 3. - CHAPTER XIV - EXPLANATION

21:53
2

CHAPTER XV - POOR LITTLE MAM'ZELLE ZIZI

9:21
3

CHAPTER XVI - THE WAITING-ROOM

0:30
4

FRANTZ."

14:19
5

CHAPTER XVII - AN ITEM OF NEWS

19:18
6

CHAPTER XVIII - SHE PROMISED NOT TO TRY AGAIN

11:10
7

CHAPTER XIX - APPROACHING CLOUDS

8:55
8

CHAPTER XX - REVELATIONS

32:38
9

ETEXT EDITOR'S BOOKMARKS:

0:19

Description

In this segment of the saga, the once‑respectable Sidonie finds herself slipping from the comforts of bourgeois respectability into a world of flamboyant parties and fleeting acquaintances. Surrounded by dazzling courtesans, extravagant costumes, and endless social functions, she embraces a new, reckless identity that both astonishes and unsettles those around her, especially her husband Georges, who seems more captivated by the spectacle than by his own marriage. Meanwhile, Risler, caught in the whirl of these gatherings, grapples with a growing sense of helplessness as business and personal life intertwine at every dinner table.

The narrative paints a vivid portrait of a household caught between ambition and illusion, where secret notes and whispered doubts hint at deeper fractures. As Georges drifts further into his own circles, Sidonie’s relentless pursuit of pleasure leaves a lingering emptiness that threatens to upend the fragile balance of love, loyalty, and societal expectation. The stage is set for tension, leaving listeners eager to discover how each character will navigate the looming discord.

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Details

Language

en

Duration

~1 hours (113K characters)

Publisher of text edition

Project Gutenberg

Release date

2003-04-01

Rights

Public domain in the USA.

About the author

Alphonse Daudet

Alphonse Daudet

1840–1897

Best known for vivid stories of Provence and for the much-loved Letters from My Windmill, this French writer brought warmth, humor, and sharp observation to everyday life. His work moves easily between tenderness and satire, which helps explain why it has lasted so well.

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