Forged Egyptian Antiquities

audiobook

Forged Egyptian Antiquities

by T. G. Wakeling

EN·~2 hours·20 chapters

Chapters

20 total

FORGED EGYPTIANANTIQUITIES

1:03

PREFATORY NOTE

0:23

CONTENTS

0:32

LIST OF ILLUSTRATIONS IN COLOUR

0:40

LIST OF FIGURESPRINTED IN THE TEXT

0:38

CHAPTER I INTRODUCTORY

10:16

CHAPTER II GOLD ORNAMENTS

15:47

CHAPTER III LAPIS LAZULI FIGURES ANDIRIDESCENT GLASS

7:49

CHAPTER IV FIGURES IN WOOD

8:53

CHAPTER V STONE FIGURES

16:11

Description

For anyone fascinated by ancient Egypt, this work offers a clear‑eyed look at the shadowy world of imitation relics. It explains how seemingly authentic scarabs, jars, and miniature statues slip into the hands of collectors, often through well‑meaning dealers in major cities such as London, New York and Paris. With vivid photographs and water‑colour reproductions, the book walks readers through the tell‑tale signs that separate genuine artifacts from clever copies.

The author draws on personal experience and the assistance of leading archaeologists to reveal common tricks used by forgers—uneven glazes, anachronistic materials, and stylistic shortcuts that betray a modern hand. By understanding these details, both casual enthusiasts and serious scholars can protect their passion and their wallets from costly deception.

Beyond the technical guidance, the narrative also reflects on the disappointment felt by those duped, offering a thoughtful glimpse into the human side of this lucrative trade. It’s an informative companion for anyone who wishes to admire Egypt’s legacy without falling prey to fraud.

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Details

Language

en

Duration

~2 hours (148K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chris Curnow, Barry Abrahamsen, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2018-03-31

Rights

Public domain in the USA.

About the author

TG

T. G. Wakeling

Best known for a compact 1912 study of fake Egyptian artifacts, this early 20th-century writer explored how collectors and travelers could be misled by convincing forgeries. The work still stands out for its practical, curious look at the trade in imitation antiquities.

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