Der Vampyr, oder: Die Todtenbraut. Zweiter Theil. Ein Roman nach neugriechischen Volkssagen

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Der Vampyr, oder: Die Todtenbraut. Zweiter Theil. Ein Roman nach neugriechischen Volkssagen

by Theodor Hildebrand

DE·~2 hours·12 chapters

Chapters

12 total

Dreizehntes Kapitel.

14:35

Vierzehntes Kapitel.

17:47

Funfzehntes Kapitel.

12:56

Sechszehntes Kapitel.

16:15

Siebenzehntes Kapitel.

17:52

Achtzehntes Kapitel.

15:00

Neunzehntes Kapitel.

13:44

Zwanzigstes Kapitel.

12:15

Ein und zwanzigstes Kapitel.

13:29

Zwei und zwanzigstes Kapitel.

11:14

Description

In a remote, crumbling castle, a single night of terror shatters the fragile peace of its aristocratic residents. Two gunshots echo through stone corridors, revealing the brutal deaths of a loyal servant and a mysterious stranger, while the lady of the house discovers her own child lifeless beside them. The shock ripples through the household, drawing neighbors and servants into a frantic search for unseen assailants.

Grief and confusion grip the grieving mother, who clings to the memory of her vanished son even as she struggles to comprehend the horror. An army officer, a physician, and other newcomers arrive, each bearing their own secrets and hopes of restoring order. As whispers of a supernatural predator begin to surface, listeners are drawn into a tense blend of gothic suspense and raw human sorrow.

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Details

Full title

Der Vampyr, oder: Die Todtenbraut. Zweiter Theil. Ein Roman nach neugriechischen Volkssagen Ein Roman nach neugriechischen Volkssagen

Language

de

Duration

~2 hours (170K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by the Online Distributed Proofreading Team at http://www.pgdp.net. This book was produced from scanned images of public domain material from the Google Books project.

Release date

Apr 8, 2016

Rights

Public domain in the USA.

About the author

TH

Theodor Hildebrand

1794–1859

A Prussian officer who also turned to popular fiction, he wrote dramatic Gothic-style tales filled with castles, secrets, and revenge. His work belongs to the lively world of early 19th-century German entertainment writing.

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