Der Vampyr, oder: Die Todtenbraut. Erster Theil. Ein Roman nach neugriechischen Volkssagen

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Der Vampyr, oder: Die Todtenbraut. Erster Theil. Ein Roman nach neugriechischen Volkssagen

by Theodor Hildebrand

DE·~2 hours·12 chapters

Chapters

12 total

Erstes Kapitel.

9:24

Zweites Kapitel.

9:07

Drittes Kapitel.

21:11

Viertes Kapitel.

18:17

Fünftes Kapitel.

15:29

Sechstes Kapitel.

16:44

Siebentes Kapitel.

24:40

Achtes Kapitel.

12:53

Neuntes Kapitel.

12:15

Zehntes Kapitel.

9:22

Description

In 1818 the Russian officer Alfred Lobenthal abandons his bustling Berlin home, driven by a sudden loss that threatens his family’s security. Together with his devoted wife Helene and their children, he sets out for an isolated country estate, hoping that solitude will restore what the city has taken from him. Their departure is swift and decisive, leaving behind the familiar streets for a quieter, uncertain future.

As the carriage rolls away, the landscape seems to echo Alfred’s inner turmoil, and an unsettling stillness settles over the family. Helene’s steadfast love offers comfort, yet the shadows of the countryside carry whispers of old Greek tales and forgotten superstitions. The journey promises both a chance at peace and the creeping sense that something far darker may be waiting beyond the woods, ready to test the bonds of love and loyalty.

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Details

Full title

Der Vampyr, oder: Die Todtenbraut. Erster Theil. Ein Roman nach neugriechischen Volkssagen Ein Roman nach neugriechischen Volkssagen

Language

de

Duration

~2 hours (168K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by the Online Distributed Proofreading Team at http://www.pgdp.net. This book was produced from scanned images of public domain material from the Google Books project.

Release date

2016-04-08

Rights

Public domain in the USA.

About the author

TH

Theodor Hildebrand

1794–1859

A Bavarian officer who also wrote with a storyteller’s eye, he turned military life, travel, and folklore into lively 19th-century German prose. His books suggest a writer interested not just in events, but in the strange and memorable details people carry away from them.

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