Chinese pottery and porcelain; vol. 1. Pottery and early wares

audiobook

Chinese pottery and porcelain; vol. 1. Pottery and early wares

by R. L. (Robert Lockhart) Hobson

EN·~7 hours·52 chapters

Chapters

52 total
1

CHINESE POTTERY AND PORCELAIN

0:09
2

CHINESE POTTERY AND PORCELAIN

0:41
3

LIST OF PLATES

19:51
4

INTRODUCTION

25:34
5

BIBLIOGRAPHY

7:06
6

CATALOGUES AND ARTICLES IN PERIODICAL PUBLICATIONS

3:49
7

CHINESE POTTERY AND PORCELAIN

0:01
8

CHAPTER I

7:14
9

CHAPTER II

41:24
10

CHAPTER III

14:31

Description

Step into the world of ancient Chinese ceramics, where each shard and glaze tells a story of centuries of artistic innovation. From the modest clay vessels of the early dynasties to the elaborate glazed wares of the Tang, the narrative follows the evolution of form, technique, and symbolism. Written by a museum specialist, the text blends scholarly insight with clear, approachable language, making the complex chronology of Chinese pottery easy to follow.

The volume is richly illustrated with over a hundred plates, many in full color, that showcase everything from simple tripod food vessels to intricately painted incense jars, guardian figures, and lotus‑shaped cups. Detailed descriptions highlight the subtle shifts in glaze—iridescent greens, mottled yellows, deep blues—that defined each period’s aesthetic. As you listen, you’ll feel the tactile quality of the ceramics and glimpse the cultural rituals they once served, offering a vivid portrait of an art form that shaped Chinese daily life.

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Details

Language

en

Duration

~7 hours (454K characters)

Publisher of text edition

Project Gutenberg

Original publisher

United Kingdom: Cassell and Company, Ltd,1915.

Credits

Chris Curnow, Joseph Cooper, Jane Robins and images courtesy of The Internet Archive and the Online Distributed Proofreading Team at https://www.pgdp.net

Release date

2022-05-02

Rights

Public domain in the USA.

About the author

R. L. (Robert Lockhart) Hobson

R. L. (Robert Lockhart) Hobson

1872–1941

A leading early 20th-century authority on ceramics, he helped turn the study of Chinese and other Far Eastern wares into a more careful, evidence-based field. His museum work and books made complex art history approachable for collectors, scholars, and general readers alike.

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