Caos del Triperuno Opere Italiane Vol. 1

audiobook

Caos del Triperuno Opere Italiane Vol. 1

by Teofilo Folengo

IT·~4 hours·1 chapter

Chapters

1 total

TEOFILO FOLENGO

4:36:57

Description

A richly layered work that weaves together lyrical poetry, philosophical debate, and mythic allegory, this early‑20th‑century Italian manuscript invites listeners into a tangled “labyrinth” of voices. The opening scenes unfold as a heated conversation among three women—Paola, Corona, and Livia—who grapple with grief, betrayal, and the tangled nature of artistic creation. Their exchange moves from personal loss to a broader critique of fame, authorship, and the restless spirit of a poet whose verses seem to defy conventional order.

As the dialogue deepens, the narrative drifts into imagined encounters with legendary figures such as Limerno, Merlino, and even a cryptic figure called Triperuno, each embodying different facets of human desire and folly. The prose oscillates between earnest lament and playful mockery, creating a rhythm that feels both timeless and delightfully chaotic. Listeners will be drawn into the book’s intricate tapestry of ideas, where every turn offers a fresh perspective on love, truth, and the ever‑shifting boundaries between the earthly and the divine.

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Details

Full title

Caos del Triperuno Opere Italiane Vol. 1 Opere Italiane Vol. 1

Language

it

Duration

~4 hours (265K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Carlo Traverso, Claudio Paganelli, Barbara Magni and the Online Distributed Proofreading Team at http://www.pgdp.net (Images generously made available by Editore Laterza and the Biblioteca Italiana at http://www.bibliotecaitaliana.it/ScrittoriItalia)

Release date

2011-04-08

Rights

Public domain in the USA.

About the author

Teofilo Folengo

Teofilo Folengo

1496–1544

A witty and unruly voice of the Italian Renaissance, this Benedictine monk became famous for turning learned Latin into something playful, comic, and gloriously unpredictable. Best known for the mock-epic Baldus, he helped make macaronic verse one of the era’s most distinctive literary experiments.

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