
audiobook
by Walter Davis Baker, Ida Strawn Baker
THE CONTENTS
THE PREFACE
THE ACKNOWLEDGMENTS
CHAPTER I HISTORY AND CHARACTER OF BATIKS
CHAPTER II PRINCIPLES OF DYEING FABRICS
CHAPTER III WAX RESIST PROCESSES
CHAPTER IV BATIKS AND OTHER ILLUMINATED TEXTILES
CHAPTER V DYEING FOR PLAYS AND PAGEANTS
CHAPTER VI TIE-DYED WORK
CHAPTER VII STICK PRINTING, BLOCK PRINTING AND STENCIL DYEING
A vivid guide to the world of batik and pattern dyeing, this work blends history, technique, and classroom insight into a single, approachable narrative. Beginning with the rich cultural roots of batik, it moves swiftly into the practical steps of wax‑resist methods, tying each process to the broader goals of applied art education. Readers discover how simple tools and careful planning can transform ordinary fabric into striking, personal artwork.
The book then expands to related dyeing practices—tie‑dye, stick printing, block printing, and stencil work—showcasing real‑world projects from schools and community groups. Detailed illustrations and anecdotes from teachers illustrate how these hands‑on problems nurture design thinking, discipline, and a sense of accomplishment. Whether you’re a hobbyist, educator, or simply curious about textile crafts, the text offers clear, step‑by‑step guidance that invites you to experiment with color, pattern, and creative expression.
Language
en
Duration
~1 hours (99K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chris Curnow, Sam W. and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2015-08-30
Rights
Public domain in the USA.
Subjects
1873–1929
A pioneering voice in early American textile education, this coauthor helped bring batik and pattern dyeing into classrooms and studios with clear, practical instruction. His work still speaks to readers who love hands-on craft, design, and the history of making things well.
View all books1876–1962
A craft writer from the early 20th century, she is best known for helping bring batik and textile dyeing techniques to a wider audience. Her surviving work has a practical, teacher-friendly spirit that still feels clear and usable today.
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