
audiobook
by comte de Nicolas-Christiern de Thy Milly
ARTE DE LOUCEIRO
ARTE de LOUCEIRO DE BARRO SIMPLES. - INTRODUCÇAÕ.
ARTIGO I. Trabalho da louça, segundo o uso de París.
ARTIGO II. Dos ladrilhos, e modo de amassar o barro, com que elles se fazem.
ARTIGO III. Das obras de ladrilho.
ARTIGO IV. Modo de fazer os differentes vasos, e utensis de casa com o mesmo barro, que serve para fazer os ladrilhos.
ARTIGO V. Das obras, que se fazem parte na roda, e parte na mesa para lhes pôr azas, e pés.
ARTIGO VI. De algumas obras, que se fazem inteiramente á maõ.
ARTIGO VII. Das obras, que se fazem com moldes.
ARTIGO VIII. Modo de enfornar as obras de olaria, e cozelas.
The manuscript opens with a practical guide for anyone who wants to turn raw earth into sturdy ceramic vessels. It begins by defining the craft of the “louceiro,” explaining how to recognize the right type of clay, how to cleanse and soften it, and why its fine particles give the material its characteristic pliability and resistance to water. The author describes the soaking, kneading, and “argamassar” processes in detail, showing how a well‑worked mass can be stretched on a wheel or shaped in molds without cracking.
Beyond the basics, the text moves on to the chemistry of firing, noting how heat transforms the pliant clay into a stone‑like body that can even withstand blows from steel. It contrasts this hardened earthenware with lime‑based mortars and highlights the importance of controlling shrinkage and moisture loss. For early‑19th‑century potters, the treatise offers a clear, step‑by‑step roadmap to producing thicker, more durable pieces of earthenware.
Language
pt
Duration
~3 hours (202K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Júlio Reis and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
Release date
2020-05-13
Rights
Public domain in the USA.

1728–1784
An 18th-century French nobleman with a restless curiosity, he wrote about everything from porcelain and chemistry to practical schemes for improving daily life. His work captures the Enlightenment taste for useful knowledge shared with a broad public.
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