
[![[Image of the book's cover unavailable.]](https://www.gutenberg.org/images/cover.jpg)](https://www.gutenberg.org/images/cover_lg.jpg)
ILLUSTRATIONS.
CHAPTER I. INTRODUCTORY.
CHAPTER II. ARCHANGELS. SAINT MICHAEL.
CHAPTER III. THE ARCHANGEL GABRIEL.
CHAPTER IV. THE ARCHANGEL RAPHAEL. REPRESENTATIONS OF THREE, AND OF FOUR ARCHANGELS.
CHAPTER V.
CHAPTER VI. PICTURES OF ANGELS AS AUTHORIZED BY THE SCRIPTURES.
CHAPTER VII. PICTURES WHICH ILLUSTRATE BOTH SCRIPTURE AND LEGEND.
CHAPTER VIII. ANGELS IN PICTURES OF THE VIRGIN MARY.
The book offers a leisurely tour through centuries of Western art, using angels as a unifying thread that links scriptural tradition with the imagination of painters and sculptors. It begins with the biblical foundations of celestial messengers and explains how their roles as protectors, guides, and celebrants have inspired countless visual interpretations.
Each chapter focuses on a different aspect of the heavenly host—archangels Michael, Gabriel and Raphael, guardian and choir angels, and the many ways angels appear beside the Virgin Mary. The text is woven together with more than thirty finely reproduced plates, from Murillo’s tender guardian to Fra Angelico’s radiant choirs, and from Botticelli’s lyrical compositions to Raphael’s dramatic battles with Satan.
Reading aloud, the author’s clear, scholarly voice brings the paintings to life, inviting listeners to picture the glow of a six‑winged cherub or the serene presence of an angelic protector. It’s a thoughtful, visually rich meditation that makes the gallery feel close at hand.
Language
en
Duration
~2 hours (162K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Chuck Greif, deaurider and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2020-04-22
Rights
Public domain in the USA.

1834–1916
A widely read American writer who made art, myth, and travel feel approachable to general readers. Her books helped introduce 19th-century audiences to art history through clear, lively storytelling.
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