
Anmerkungen zur Transkription
Achtzehn Töchter.
I. Wer besitzt, wird besessen.
II. Der siebenundzwanzigste Geburtstag.
III. Der Donner als Brautwerber.
IV. Das einzige Kind.
V. Die Vorstellung.
VI. Die jetzt verführte Jugend.
VII. Der Vater und das Kinderhaus.
VIII. Verwickelungen.
A baroness‑type narrator reflects on the uneasy feeling of being both owner and captive of his own estate, his livestock, and the people who depend on him. He likens himself to a shepherd, watching over his “little herd” of relatives while wrestling with the pretensions of polite society. The opening sketches a world where language, power, and duty collide, hinting at the fragile balance between authority and compassion.
When his mother imposes strict conditions for a new home—seeking a place untouched by foreign armies and free from the scars of past wars—her son must navigate family history, lingering grief, and the looming presence of his numerous sisters. Their intertwined fates set the stage for a household where expectations clash with personal desire, promising a thoughtful exploration of gender, inheritance, and the ties that bind a large family together.
Language
de
Duration
~4 hours (277K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Books project.)
Release date
Aug 29, 2018
Rights
Public domain in the USA.
Subjects

1784–1862
A once widely read German poet, novelist, and composer from Muskau, he wrote with a reflective, lyrical voice that later generations rediscovered. His best-known work, Laienbrevier, helped secure his reputation in 19th-century German literature.
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