Abrégé de l'Histoire universelle depuis Charlemagne jusques à Charlequint (Tome 1)

audiobook

Abrégé de l'Histoire universelle depuis Charlemagne jusques à Charlequint (Tome 1)

by Voltaire

FR·~4 hours·23 chapters

Chapters

23 total

Produced by Mireille Harmelin and the Online Distributed

0:14

ABRÉGÉ - DE - L'HISTOIRE UNIVERSELLE - DEPUIS CHARLEMAGNE JUSQUES À CHARLEQUINT.

0:06

TOME PREMIER.

0:03

AVERTISSEMENT DU LIBRAIRE.

2:39

TABLE DES ARTICLES CONTENUS DANS LE TOME PREMIER.

1:30

INTRODUCTION.

3:59

ABRÉGÉ DE L'HISTOIRE UNIVERSELLE. - DE LA CHINE.

21:24

DES INDES, DE LA PERSE, DE L'ARABIE ET DU MAHOMÉTISME.

23:50

ÉTAT DE L'ITALIE ET DE L'ÉGLISE CHRÉTIENNE.

2:00

ORIGINE DE LA PUISSANCE DES PAPES.

3:54

Description

This compact chronicle tackles the grand sweep of world events from Charlemagne’s empire to the dawn of the Renaissance, offering listeners a panoramic view of medieval civilization. Written in the lively, erudite voice of an eighteenth‑century polymath, it blends scholarly insight with a conversational tone that makes dense material feel surprisingly immediate.

The first volume journeys through distant lands such as China, India, Persia and the Arab world before turning to the heart of Europe: the rise of the papacy, the reforms of Charlemagne, the laws of the early Middle Ages, and the Norman conquests of Sicily and England. Interwoven with vivid portraits of kings, popes and cultural shifts, the narrative remains focused on the political and religious forces that shaped the continent up to the reign of Charles VII, leaving the later chapters on art and the era of Charles V for a future continuation.

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Details

Language

fr

Duration

~4 hours (263K characters)

Publisher of text edition

Project Gutenberg

Release date

2006-06-09

Rights

Public domain in the USA.

About the author

Voltaire

Voltaire

1694–1778

A sharp, witty voice of the French Enlightenment, this writer used satire and storytelling to challenge intolerance, superstition, and abuses of power. Best known today for Candide, his work still feels lively, skeptical, and surprisingly modern.

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